The concept of morality in the picture of dorian gray a novel by oscar wilde

When I first read this book in the fruitless years of my youth I was excited, overwhelmed and a blank slate as Dorian is, upon his first encounter with Lord Henry easily molded, persuaded, influenced, etc. Would become my mottos to believe in. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face.

The concept of morality in the picture of dorian gray a novel by oscar wilde

Summary[ edit ] Dorian Gray is the subject of a full-length portrait in oil by Basil Hallward, an artist who is impressed and infatuated by Dorian's beauty ; he believes that Dorian's beauty is responsible for the new mood in his art as a painter.

The concept of morality in the picture of dorian gray a novel by oscar wilde

Through Basil, Dorian meets Lord Henry Wotton, and he soon is enthralled by the aristocrat's hedonistic world view: Newly understanding that his beauty will fade, Dorian expresses the desire to sell his soul, to ensure that the picture, rather than he, will age and fade.

The wish is granted, and Dorian pursues a libertine life of varied and amoral experiences, while staying young and beautiful; all the while his portrait ages and records every sin.

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While sitting for the painting, Dorian listens to Lord Henry espousing his hedonistic world view, and begins to think that beauty is the only aspect of life worth pursuing.

This prompts Dorian to wish that the painted image of himself would age instead of himself. Under the hedonistic influence of Lord Henry, Dorian fully explores his sensuality.

He discovers the actress Sibyl Vane, who performs Shakespeare plays in a dingy, working-class theatre. Dorian approaches and courts her, and soon proposes marriage. The enamoured Sibyl calls him "Prince Charming", and swoons with the happiness of being loved, but her protective brother, James, warns that if "Prince Charming" harms her, he will murder him.

Sibyl, too enamoured with Dorian to act, performs poorly, which makes both Basil and Lord Henry think Dorian has fallen in love with Sibyl because of her beauty instead of her acting talent.

Embarrassed, Dorian rejects Sibyl, telling her that acting was her beauty; without that, she no longer interests him. On returning home, Dorian notices that the portrait has changed; his wish has come true, and the man in the portrait bears a subtle sneer of cruelty.

Dorian Gray observes the corruption recorded in his portrait, in the film The Picture of Dorian Gray Conscience-stricken and lonely, Dorian decides to reconcile with Sibyl, but he is too late, as Lord Henry informs him that Sibyl has killed herself.

Dorian then understands that, where his life is headed, lust and beauty shall suffice. Dorian locks the portrait up, and over the following eighteen years, he experiments with every vice, influenced by a morally poisonous French novel that Lord Henry Wotton gave him.

One night, before leaving for Paris, Basil goes to Dorian's house to ask him about rumours of his self-indulgent sensualism. Dorian does not deny his debauchery, and takes Basil to see the portrait.

The portrait has become so hideous that Basil is only able to identify it as his work by the signature he affixes to all his portraits. Basil is horrified, and beseeches Dorian to pray for salvation. In anger, Dorian blames his fate on Basil, and stabs him to death.

Dorian then calmly blackmails an old friend, the scientist Alan Campbell, into using his knowledge of chemistry to destroy the body of Basil Hallward. Alan later kills himself over the deed.

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A 19th century London opium den based on fictional accounts of the day. To escape the guilt of his crime, Dorian goes to an opium denwhere James Vane is unknowingly present. James had been seeking vengeance upon Dorian ever since Sibyl killed herself, but had no leads to pursue: In the opium den however he hears someone refer to Dorian as "Prince Charming", and he accosts Dorian.

Dorian deceives James into believing that he is too young to have known Sibyl, who killed herself 18 years earlier, as his face is still that of a young man. James relents and releases Dorian, but is then approached by a woman from the opium den who reproaches James for not killing Dorian.

The concept of morality in the picture of dorian gray a novel by oscar wilde

She confirms that the man was Dorian Gray and explains that he has not aged in 18 years.Reprint of Edition. "The Picture of Dorian Gray" is the only published novel by Oscar Wilde. The novel tells of a young man named Dorian Gray, the subject of a painting by artist Basil Hallward/5(3K).

Wilde’s novel The Picture of Dorian Gray is “ the tragedy of aestheticism” and”the aesthetic novel by excellence, not in espousing the doctrine, but in exhibiting its dangers”.([Ellmann]. The Conflict Between Aestheticism and Morality in Oscar Wilde’s The Picture of Dorian Gray.

Patrick Duggan. Download this article. Oscar Wilde prefaces his novel, The Picture of Dorian Gray, with a reflection on art, the artist, and the utility of both.

After careful scrutiny, he concludes: “All art is quite useless” (Wilde 4). Everyone in The Picture of Dorian Gray has his or her own moral scale, and the result is a world in which we're not quite sure what's right or wrong.

That being said, some things are definitely wrong – for example, like killing your former best friend, then having his body chemically um, for lack of a better word, disappeared. The interesting thing is that . Oscar Wilde prefaces his novel, The Picture of Dorian Gray, with a reflection on art, the artist, and the utility of both.

After careful scrutiny, he concludes: “All art is quite useless” (Wilde 4). The Picture of Dorian Gray is a Gothic novel and philosophical novel by Oscar Wilde, first published complete in the July issue of Lippincott's Monthly Magazine.

Fearing the story was indecent, the magazine's editor without Wilde's knowledge deleted roughly five hundred words before yunusemremert.com: Philosophical fiction, decadent literature.

SparkNotes: The Picture of Dorian Gray: Themes